Posts

Introduction to African Studies – Spring 2019

Course Number: AAAS 103, CULANTH 105, HIST 129, POLSCI 108, ICS 110

Course Attributes: ALP, CCI, CZ

Course Description:

This course offers a broad introduction to the archaeology, history, politics, language, culture, aesthetics, and religion of African peoples. With the help of a variety of sources—scholarly works by historians, anthropologists, literary figures, filmmakers, and journalist—we will explore the ways in which Africans, across a massive and incredibly diverse continent, have responded to and engaged with the slave trade, colonial overrule, transnational markets, and to other more recent experiences and challenges after political independence.

Faculty Biographies:

Samuel Fury DalySamuel Fury Childs Daly specializes in the history of twentieth-century Africa. His research bridges West and East Africa, and it combines legal, military, and social historical approaches to the study of the past. His current project considers the history of the Biafra War (1967-1970). This book manuscript entitled Sworn on the Gun: Law and Crime in the Nigerian Civil War draws a connection between the crisis conditions of the war and the forms of crime that came to be associated with Nigeria in its wake. Using an original body of legal records from the secessionist Republic of Biafra, it traces how technologies, survival practices, and moral ideologies that emerged in the context of the fighting shaped the practice and perception of crime after Biafra’s defeat. Connecting the violence of the battlefield to violent crime, it provides a new perspective on the discursive relationship between law and disorder in the African postcolony. His other areas of interest include customary law in the British Empire, the history of vigilantism in Tanzania, and the methodologies of postcolonial African history.
 
Anne-Maria MakhuluAnne-Maria Makhulu is an Associate Professor of Cultural Anthropology and African and African American Studies and Core Faculty in Innovation and Entrepreneurship at Duke University. Her research interests cover: Africa and more specifically South Africa, cities, space, globalization, political economy, neoliberalism, the anthropology of finance and corporations, as well as questions of aesthetics, including the literature of South Africa. Makhulu is co-editor of Hard Work, Hard Times: Global Volatility and African Subjectivities (2010) and the author of Making Freedom: Apartheid, Squatter Politics, and the Struggle for Home (2015). She is a contributor to Producing African Futures: Ritual and Reproduction in a Neoliberal Age (2004), New Ethnographies of Neoliberalism(2010), author of articles in Anthropological Quarterly and PMLA, special issue guest editor for South Atlantic Quarterly (115(1)) and special theme section guest editor for Comparative Studies of South Asia, Africa, and the Middle East (36(2)). A new project, South Africa After the Rainbow (in preparation), examines the relationship between race and mobility in postapartheid South Africa.

S19_AAAS_103

Poetic Cinema – Spring 2019

Course numbers: AMES 311S, VMS 354S, AMI 266S, ICS 311S

Course Attributes: CCI, ALP, CZ

Course Description:

Poetic Cinema will inquire into sources of “resonance” in international cinema with an emphasis on films from Asia and the Middle East. The object of the course is to describe aspects of film construction which conduce to intense experience for viewers. Readings in delve into indigenous aesthetics.

Satti KhannaFaculty Biography:

Professor Khanna interprets the lives and works of contemporary Indian writers to an international audience through a series of documentary films and translations. His recent work includes a translation of Vinod Kumar Shukla’s Naukar ki Kameez (The Servant’s Shirt, Penguin India, 1999), an anthology of short fiction, His Daily Bread (Har Anand, 2000) and the series Literary Postcard on the Doordarshan national network in India.

 

 

Poetic Cinema

inTransit Workshop looks at Art and Migration around Europe

On February 1st, 2018, academics and artists from around the globe gathered at Duke University for the inTransit: Arts & Migration around Europe workshop. The workshop focused on two themes, “Reversible Patterns: Historical and Contemporary Views from Spain, Northern African and the Middle East” and “Northwards across the Grain of Time: France, Flanders and the Lowlands, West Africa”.

James Amelang, Ph.D. and E. Michael Gerli, Ph.D. presented on the 16th-century expulsion of the Moriscos from Spain. In the videos below, both professors comment on how Spanish history can plan a role in the migration crisis happening in Spain today. Amelang is Professor of History in the Department of Early Modern History at the Autonomous University of Madrid, Spain. His research focuses on early modern urban social history with a specialization on Barcelona. Gerli is Common Wealth Professor of Spanish at the University of Virginia. Gerli’s research explores medieval and renaissance literature and linguistics.

The inTransit research group strives to bridge ideological divides and contribute to current debates on migration in major regions of the globe where Romance languages are spoken.

 

 

 

Wednesdays at the Center – Spring 2018 Schedule

Wednesdays at the Center (W@TC) is a topical weekly series in which scholars, artists, journalists, and others speak informally about their work in conversation with the audience. This semester the John Hope Franklin Center is proud to collaborate with partners across Duke and throughout the larger academic community to present a discipline diverse series.

Join us on Wednesdays throughout the semester from 12:00pm – 1:00pm in the Franklin Center’s Ahmadiah Family Conference Hall, room 240. A light lunch is served at each event.

Born Again Black: Tracing Diaspora and Nation through the Diasporic A.M.E. Church

(CANCELLED DUE TO WEATHER)

A lecture with Christina C. Davidson, Ph.D., History Department, Duke University

January 17, 2018, 12:00pm -1:00pm

Mental Health in Haiti: Exploring culture and language to improve care

A lecture with Bonnie Kaiser, Ph.D., Duke Global Health Institute

January 24, 2018, 12:00pm – 1:00pm

Tainan, City Pluriferent

A lecture with David Liu, Ph.D., Religious Studies Department, Duke University

January 31, 2018, 12:00pm – 1:00pm

Blackness Unmoored: Relational Ethics and Aesthetics in Stromae’s “Formidable”

A lecture with Daphne Lamothe, Ph.D., Humanities Writ Large, Duke University

February 7, 2018, 12:00pm – 1:00pm

Duke Undergraduate Working Group on MENA

A panel of Duke students from the Duke Undergraduate Working Group in MENA 

February 14, 2018, 12:00pm – 1:00pm

American Qur’an

A lecture with Sandow Birk, visual artist

February 21, 2018, 12:00pm – 1:00pm

Food Insecurity on College Campuses and Beyond

A panel discussion with Rochelle Newton, Ed.D

February 28, 2018, 12:00pm – 1:00pm

Africa’s ‘Scramble for Europe’

A lecture with Stephen W. Smith, Ph.D., African and African American Studies, Duke University

March 7, 2018, 12:00pm – 1:00pm

Everyday Conversions: Islam, Domestic Work & South Asian Migrant Women in Kuwait

A lecture with Attiya Ahmad, Ph.D., Departments of Anthropology and International Affairs, George Washington University

March 21, 2018, 12:00pm – 1:00pm

Blood Letters: The Untold Story of Lin Zhao, a Martyr in Mao’s China

A lecture with Xi Lian, D.A., Duke Divinity School

March 28, 2018, 12:00pm – 1:00pm

Virtual Reality in the Arabic Classroom at Duke

A panel discussion with Seth Anderson, Chip Bobbert, Mich Donovan, Elizabeth Evans, Maha Houssami, Thatcher Owen, and Leah Rothfeld

April 4, 2018, 12:00pm – 1:00pm

Building an International Archive in the Jim Crow South: Arturo Schomburg at Fisk University

A lecture with Vanessa Valdés, Ph.D., The City College of New York and discussant, Mark Anthony Neal, Ph.D., Duke University

April 11, 2018, 12:00pm – 1:00pm

Diverse Perspectives: Graduate Working Groups on Global Issues

A panel presentation from the 2017-2018 Graduate Working Groups on Global Issues

April 18, 2018, 12:00pm – 1:00pm

Iraq & Syria: Arts and Revolutions – Fall 2017

Course number: AMES 222S

Course attributes: CCI, ALP, CZ

Course description:

The course introduces the political and cultural background of the conflict and uprising in Iraq and Syria. Focusing on culture, arts, and literature especially after the Arab Spring 2011 this course uses movies, books, and guest speakers to broaden the understanding of the current war against terrorism and dictatorships.

Professor biography:

Abdul Sattar Jawad (known also as ‘Al-Mamouri’) is an Iraqi-born Professor of Comparative Literature and Middle Eastern Studies at Duke University. He received a Ph.D in English Literature and Journalism, London’s City University (UK). He has been a Barksdale Fellow at the University of Mississippi Honors College; a Visiting Professor at the Department of English and American Language and Literature, Harvard University; and a scholar at the John Hope Franklin Center for Interdisciplinary and International Studies at Duke University. Before coming to Duke, he was Dean of College of Arts Mustansiriya University in Baghdad and edited the Baghdad Mirror. Apart from teaching Arabic and English Literature, he is an expert on the works of T. S. Eliot and those of William Shakespeare. He has translated Eliot’s “Waste Land” into Arabic. He is also an expert on Iraqi media and academia. Jawad has written 14 books on literature and media, and has edited several literary magazines and newspapers in English and Arabic.

 

 

Mexican Printmaker to Visit Duke, Durham to Celebrate Day of the Dead

by Jennifer Prather

Sergio Sánchez Santamaría, one of Mexico’s foremost printmakers, will visit Duke and the Durham community Oct. 21-29 to celebrate the Day of the Dead in North Carolina.

Sánchez Santamaría is a muralist, illustrator and printmaker who has taught and exhibited in the United States, Europe and Russia. The Frederic Jameson Gallery in the Friedl Building will display an exhibit of his works, “Printing Realities,” from Oct. 27-Dec. 9. An opening reception is 7-9 p.m. Thursday, Oct. 27, in the gallery, and is free and open to the public.

Sánchez Santamaría will teach at Duke, the Durham School of the Arts and Durham Technical Community College, and will make a limited edition linocut print for Supergraphic, a printmaking studio located in Durham’s Golden Belt complex. He will also create an original mural for the Mural Durham Festival at the Duke Arts Annex, from 1-4 p.m. Saturday, Oct. 22.

read more: https://today.duke.edu/2016/10/mexican-printmaker-visit-duke-durham-celebrate-day-dead

 

Poetic Cinema

Course numbers: AMES 311S, VMS 354S, AMI 266S, ICS 311S
Course codes: CCI, ALP, CZ
Course description:

Poetic Cinema will inquire into sources of “resonance” in international cinema with emphasis on films from Asia and the Middle East. The object of the course is to describe aspects of film construction which conduce to intense experience for viewers. Readings in delve into indigenous aesthetics.

Instructor: Professor Satti Khanna

Professor Khanna interprets the lives and works of contemporary Indian writers to an international audience through a series of documentary films and translations. His recent work includes a translation of Vinod Kumar Shukla’s Naukar ki Kameez (The Servant’s Shirt, Penguin India, 1999), an anthology of short fiction, His Daily Bread (Har Anand, 2000) and the series Literary Postcard on the Doordarshan national network in India.

Fazil Say visits Duke

In February 2016, Turkish pianist and composer Fazil Say visited Duke University as part of the Duke Performances’ artist-in-residence program. During his stay, Say preformed a sold out show, led a student chamber music intensive, met with the Turkish student association, and spoke on a public panel about music and culture in Turkey.

Erdağ Göknar, the director of the Middle East Studies Center, sat down with Say to discuss how Say’s work acts as a bridge between traditional Anatolian folk music and today’s modern Turkish compositions. Göknar and Say also discuss the idea of music as resistance.

Say’s residency was made possible, in part, with an award from the National Endowment for the Arts, and with support from Duke University Middle East Studies Center and the American-Turkish Association of North Carolina (ATA-NC).

More about the artist:

Fazil Say’s Website

Fazil Say’s Facebook

 

Leonor Leal’s Contemporary Flamenco

On March 23rd, Leonor Leal gave a casual performance during a lecture on “The Art of Contemporary Flamenco” at the John Hope Franklin Center’s Wednesdays at the Center series. Leal was accompanied by guitarist, Jose Lois Rodriguez and vocalist/cajón player, Francisco “Yiyi” Orozco. All three of the artist have training in classical Flamenco, but now perform with more modern interpretation of the movement and music.

During the presentation, Leal touched on the international aspects of Flamenco which borrows motifs from Arab, African, and South American cultures. Leal playfully unpacked traditional Flamenco movements for the audience at the Franklin Center explaining the difference in postures from Tango and Flamenco.

Leal’s visit to Duke University was part of a 3-day residency supported by the Duke Dance Program, Spanish Studies, and the Program in Women’s Studies. Aside from her lecture at the Franklin Center, Leal also gave a public demonstration and held a master class in the Ark Dance Studio during the residency.

One Rwanda: Portraits of Contemporary Life

Bill Bamberger, Sewing class in the children's village of Kigarama

Bill Bamberger, Sewing class in the children’s village of Kigarama

Exhibiting:  March 7, 2016 – August 5, 2016


Exhibition Statement

On the 20th anniversary of the Rwandan Genocide, photographer Bill Bamberger traveled throughout the country to photograph the daily lives of the Rwandese people.

Like most documentarians visiting Rwanda at this historic time, Bamberger went there with plans to undertake a post-genocide project: to photograph children who had grown up parentless as a result of the genocide and were now raising families of their own.

But as Bamberger began to get to know the country and people, the focus of his project shifted. Over the course of three months, he journeyed by bus around Rwanda, meeting with Rwandese and international volunteers. During this time, he visited health clinics in Kigali’s poorest neighborhoods, schools in remote mountain villages, an orphanage on the banks of Lake Kivu, tea fields in the south, sugar cane fields in the north, national parks on the borders of the country and tennis clubs in Kigali’s most affluent neighborhoods.

Struck by the warmth, humanity, and collective resilience of the people as they sought to forge a new national identity, Bamberger stopped thinking about the Rwandese primarily as Hutus or Tutsis, or as perpetrators or survivors, as the international media most often portrayed them.

Instead, his photographs explore how the people of Rwanda are finding their way while faced with modern-day issues like healthcare, education and housing. We get a glimpse of how people are living side-by-side in ‘one Rwanda’, the government’s catchphrase for a country trying to put itself back together, 20 years after the genocide.

In the tradition of German photographer August Sander—whose landmark publication Face of Our Time depicted a diverse cross-section of society during the Weimer Republic—Bamberger’s portraits reveal the modern-day face of Rwanda and include: farmers, shopkeepers, taxi drivers, security guards, country club members, construction workers and orphaned children.

 

Biography

 

Bill Bamberger’s work explores large social issues of our time: the demise of the American factory, housing in America, and adolescents coming of age in an inner-city high school.  His first book, Closing: The Life and Death of an American Factory won the Mayflower Prize in Non-Fiction and was a semifinalist for the Robert F. Kennedy Book Award.  His photographs have appeared in Aperture, Doubletake, Harper’s and the New York Times Magazine.  He has had one-person exhibitions at the Yale University Art Gallery, the Smithsonian Institution, the North Carolina Museum of Art and the National Building Museum.  A trademark of Bamberger’s photography is that it is first shown in the neighborhood where it was created, prior to its museum exhibition.

Events

Visualizing the Invisible “Jungle” of Calais

Photo from Visualizing the Invisible “Jungle” of Calais

Visualizing the Invisible “Jungle” of Calais: Migration, Security, and Infrastructure at the French-English Border

Opening reception on September 20th, 2018 at 6:15 pm – 8:00 pm. Parking available at Duke Family Medicine Center in the Pickens Building on Trent Drive.

Eric Leleu is an independent documentary photographer based in Northern France. He began his career as a documentary photographer in Shanghai in 2005, where he lived and worked until 2016. For the past thirteen years, Leleu has documented China’s changing urban landscapes and the way people use, transform, and play with their new and old environments. He also documented the craft of political propaganda and the many forms political communications take in China. He developed a body of personal work that blurs the boundaries between art and documentary, as well as reality and fiction. Today, he works in his home region where he is currently restoring the farm he grew up in and that he has been documenting for a long time. Leleu is currently using the buildings of his farm to create a photo gallery and a community center where farm produce will be sold. La Musette – Leleu’s farm – will open in 2019.

In 2017, he started to photograph the growing security infrastructure – border walls, flooded zones, watchtowers – meant to deter refugees and migrants from settling in Calais, France. In the meantime, he documents the Calais “jungles” – or makeshift camps – where people who risk their lives to cross the English Channel on a daily basis and where new solidarities emerge between migrants and a local population that was itself shaped by centuries of immigration. Working with anthropologist Vincent Joos, they plan to do long-term field work on both sides of the Strait of Dover.

Eric Leleu has published in the New York Times, The Guardian, Wirtschaft Woche, Madame Figaro, Le Monde, Le Courrier International and has held exhibitions in Asia and Europe.

This exhibition is an In Transit project. inTransit has partnered with the John Hope Franklin Center, the Nasher Museum of Art, the Rubenstein Arts Center, Duke Libraries, and the Duke University Center for International and Global Studies’ Observatory on Europe.

In Transit is sponsored by the departments of Romance Studies and Art, Art History, and Visual Studies; by the French and Cultural Services of the French Embassy in the United States and the Duke Center for French and Francophone Studies; the Center for International and Global Studies and; the Social Practice Lab of the Franklin Humanities Institute.

In Transit has also benefited from an Intellectual Communities grant from the Provost’s Office, and an Arts and Sciences Council Research grant; support from the Office of the Vice Provost for the Arts, the Office of the Dean of the Humanities, the Josiah Charles Trent Memorial Foundation, the Duke Human Rights Archive, the Duke Africa Initiative, and the Puffin Foundation.

inTransit Logo